Sambrene
New York · Summer Colonies · Volume VII
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The September Portfolio

The Co-ord Edit

Seven fabrics off the cutting table. Seven looks. One long afternoon of colour — cut from the actual yardage, nothing digitally dressed.

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The House

The border print worn exactly as the yardage intends.

Sambrene begins at the cutting table. Each co-ord is planned around an engineered border — the bands that frame a jacket opening, a cuff, a pant hem — so the print does the tailoring and the silhouette stays generous.

Porch to marina, garden party to dawat: relaxed cuts in printed silk and crinkle, made for long afternoons and warm evenings. Comfort luxury, in the plainest sense of both words.

VII
Fabrics
VII
Looks
12.IX
New York
One
Afternoon of colour

Contents

Six looks · Summer Colonies
Amalfi Stripe co-ord on a porch swing
Look I

Amalfi Stripe

Awning stripe up top, lemon clusters gathering toward the hem — the border print worn exactly as the yardage intends. Porch to marina, or chai by the kitchen khirki.

Printed silk · Border print
Amalfi Stripe jacket and pant, front row behind
Look I on the runway · The Silk Road
Gulmohar co-ord crossing a garden terrace
Look II

Gulmohar

The engineered border does the tailoring — bands framing the jacket opening, hem and cuff. Made for garden parties and dawats.

Crepe · Engineered border
Gulmohar yardage on the cutting table
The yardage, before cutting
Look III

Neel Bayl

Dense indigo bayl head to toe, the geometric selvedge border landing as a graphic band at the pant hem — among the hydrangeas.

Block-print silk · Selvedge band
Neel Bayl co-ord among hydrangeas
Neel Bayl co-ord seated on a lawn chair
Indigo bayl yardage with selvedge border
Toile Rouge co-ord on a shingled porch
The porch, Southampton
Toile Rouge co-ord in a wicker chair
Wicker, late morning
Toile Rouge co-ord against a column
Against the column
Detail of the peacock toile motif
The peacock motif
Look IV

Toile Rouge

Full toile-de-Jouy immersion with a contrast border at every edge — the Hamptons story, told in four frames, down to the peacock in the print.

Toile de Jouy
Toile Rouge menswear co-ord
Look V · Menswear

The SandBar Set
The Midnight Set

Same relaxed cut, solid ground — camp-collar shirt and drawstring pant in cocoa and black crinkle. The tonal counterpoint to the prints.

Crinkle · Solids
The SandBar and Midnight sets for men
Sand linen co-ord, drive
A house set is a uniform for the season, not an occasion.
Look VI

Dot Noir

Cream dots on ink silk, cut wide and worn late — the one look in the edit with no border at all. Marina lights do the trim.

Silk crepe
Dot Noir co-ord seated
Dot Noir co-ord at the marina at night

The Yardage

Seven fabrics off the cutting table
Gulmohar yardage
Gulmohar
Neel Bayl yardage
Neel Bayl
Dot Noir yardage
Dot Noir
Shibori yardage
Neel Shibori

The Contact Sheet

Summer Colonies · unedited
Contact sheet of twelve looks
Contact sheet of six looks
Neel Bayl on the runway
Gulmohar co-ord at the garden fence
The Invitation

The Silk Road

New York Fashion Week Runway. Seven fabrics off the cutting table, seven looks, one afternoon of colour.

Date
September Twelve
Venue
The Matriarch, Times Square
Seating
Arrive 3 p.m. with ticket
Request a Seat Order on WhatsApp
After the Runway · By Invitation

The Mehfil

A private townhouse in SoHo, one evening, after the last look leaves the runway. The guest list is short by design and closes the moment it is full — every name is read, and most requests are declined. Named guests only: no plus-ones, no transfers.

40
Seats in the room
12.IX
Following the show
SoHo
A private townhouse

Request a place below. If your name is on the list, the townhouse address arrives by message the morning of — never before.

Request an Invitation Requests reviewed individually
Write to the House

Enquiries

Orders, the catalogue, wholesale, press. Every note goes to service@sambrene.com and is answered by a person.

Or WhatsApp +1 917 962 1235