The Co-ord
Edit
Seven fabrics off the cutting table, seven looks, one afternoon of colors. Cut from the actual yardage — nothing digitally dressed.
The border print worn exactly as the yardage intends.
Sambrene begins at the cutting table. Each co-ord is planned around an engineered border — the bands that frame a jacket opening, a cuff, a pant hem — so the print does the tailoring and the silhouette stays generous.
Porch to marina, garden party to dawat: relaxed cuts in printed silk and crinkle, made for long afternoons and warm evenings. Comfort luxury, in the plainest sense.
Shot from the actual yardageContents
The Co-ord Edit
Amalfi Stripe
Awning stripe up top, lemon clusters gathering toward the hem — the border print worn exactly as the yardage intends. Porch to marina, or sip chai by the kitchen khirki.
Gulmohar
The engineered border does the tailoring — bands framing the jacket opening, hem and cuff. Made for garden parties and dawats.
Neel Bayl
Dense indigo bayl head to toe, the geometric selvedge border landing as a graphic band at the pant hem — among the hydrangeas.
Toile Rouge
Full toile-de-Jouy immersion with a contrast border at every edge — the Hamptons story, told in four frames plus a detail of the peacock motif.
The SandBar Set
The Midnight Set
Same relaxed cut, solid ground — camp-collar shirt and drawstring pant in cocoa and black crinkle. The tonal counterpoint to the prints.
A house set is a uniform for the season, not an occasion.
Dot Noir
Cream dots on ink silk, cut wide and worn late — the one look in the edit with no border at all. Marina lights do the trim.
The Yardage
Seven fabrics off the cutting table
Contact Sheet
Summer Colonies · unedited
The Silk Road
New York Fashion Week Runway. Seven fabrics off the cutting table, seven looks, one afternoon of colors.